Sunday, January 31, 2010

Interesting Local Video Play List


Hello All:


This blog ties in with the last one that I just left about the former owner of the Beverly Hills Supper Club passing away here.  I am including this play list here, because it ties in with that below article here and I thought that you all would be interested in watching it for yourselves today.

I was a toddler when the Beverly Hills Supper Club burned down and I have a video here in this play list that shows me talking about what I remember my parents telling me about that fateful May night back in 1977.  The Beverly Hills Supper Club story is a sad one, but is one that needs to be told as well.  This whole fire changed the lives of lots of people in the area where I live forever.


After the videos that I have of the Beverly Hills Supper Club is also some videos about Bobby Mackey's Music Club, which is located on Kentucky State Route 9, just inside the Wilder, Kentucky city line.  Bobby Mackey's place is located down the street from where my maturnal grandparents use to live off of Kentucky Route 9 in Wilder, Kentucky.  Bobby Mackey's place is touted as either "Hell's Gate" or as "The Most Haunted Bar In America" or some business like that, folks.


Any way, folks, without further adieu, below is the play list!!  I hope that you enjoy watching these videos here.




Saturday, January 30, 2010

Beverly Hills Supper Club Owner Dies - Cincinnati News Story - WLWT Cincinnati

Beverly Hills Supper Club Owner Dies - Cincinnati News Story - WLWT Cincinnati




I just thought that I would share this above article with all of you today. I remember my parents telling me that they could see the fire from the Beverly Hills Supper Club from the house that I grew up in on the south end of Fort Thomas the night that the supper club burned down. I also remember my parents telling me about how strange it was to drive past the armory afterwarsds, (where a makeshift mortuary was made, due to the amount of deaths involved with the supper club burning down.) I don't remember this event happening, but I do remember my parents talking about the whole thing and how it was extremely unfortunate for all of the victims that died in the fire the night the Beverly Hills Supper Club burned down on the south end of Fort Thomas.

(1/2) Time Slips / Time Travel

Hello All:

I just thought that I would share this video with all of you, because it is interesting about time slips and history, etc. Have a great day.

Tuesday, January 19, 2010

Mystery visitor to Poe's grave is a no-show

AP – Cynthia Pelayo, of Chicago, leaves roses and cognac at the burial site of Edgar Allen Poe Tuesday, Jan. …






By BEN NUCKOLS and JOSEPH WHITE, Associated Press Writers Ben Nuckols And Joseph White, Associated Press Writers – Tue Jan 19, 6:22 pm ET




BALTIMORE – It is what Edgar Allan Poe might have called "a mystery all insoluble": Every year for the past six decades, a shadowy visitor would leave roses and a half-empty bottle of cognac on Poe's grave on the anniversary of the writer's birth. This year, no one showed.






Did the mysterious "Poe toaster" meet his own mortal end? Did some kind of ghastly misfortune befall him? Will he be heard from nevermore?






"I'm confused, befuddled," said Jeff Jerome, curator of the Poe House and Museum. "I don't know what's going on."






The visitor's absence this year only deepened the mystery over his identity. One name mentioned as a possibility was that of a Baltimore poet and known prankster who died in his 60s last week. But there is little or no evidence to suggest he was the man.






Poe was the American literary master of the macabre, known for poems such as "The Raven" and grisly short stories like "The Tell-Tale Heart," "The Fall of the House of Usher" and "The Pit and the Pendulum." He is also credited with writing the first modern detective story, "The Murders in the Rue Morgue." He died in 1849 in Baltimore at age 40 after collapsing in a tavern.






In the history of the Poe toaster, little is certain.






The annual tribute began in 1949 — unless it started earlier, or later. The first printed reference to the tribute can be found that year in The Evening Sun of Baltimore. The newspaper mentioned "an anonymous citizen who creeps in annually to place an empty bottle (of excellent label)" against the gravestone.






Every year since 1978, Jerome has staked out the grave at the Westminster Hall and Burying Ground. Year after year, he said, he and various friends and Poe enthusiasts would watch from inside the Presbyterian church as a figure dressed in black, with a wide-brimmed hat and a white scarf, would leave three roses and cognac and steal away.






There is an alternative tale of the toaster's origins, one that Jerome vehemently disputes. Sam Porpora, the former historian at Westminster Hall, claimed in 2007 that he was the original Poe toaster, saying he came up with the idea in the late 1960s as a publicity stunt. But the details of Porpora's story seemed to change with each telling, and he acknowledged that someone had since made the tradition his own.






In 1993, the visitor began leaving notes, starting with one that read: "The torch will be passed." A note in 1998 indicated the originator of the tradition had died and passed it on to his two sons.






In 2001, as the Baltimore Ravens — named in honor of the bird in Poe's most famous poem — were preparing to face the New York Giants in the Super Bowl, the toaster left a note that praised the Giants and said the Ravens would suffer "a thousand injuries." Then in 2004, amid tense relations between the United States and France over the invasion of Iraq, a note said Poe's grave was "no place for French cognac" and that the liquor was being left "with great reluctance."






Beyond Porpora, no one ever stepped forward to take credit for the tradition. But one name emerged Tuesday as a possible candidate: David Franks, a Baltimore poet and performance artist who died last week.






Franks was a Poe aficionado and an outrageous prankster who dressed with a "19th-century literary flair," said Rafael Alvarez, a friend of Franks and president of the Edgar Allan Poe Society of Baltimore.






Franks once photocopied his private parts on a Xerox machine at a Social Security office and put the images on display. Decades ago, he posed as a disabled poet in a wheelchair, solicited donations from the crowd, then thanked everyone and got up and walked away.






Jerome said he doubts Franks was the toaster: "I looked at some images of him, and he doesn't look at all like the person we've seen over the years."






Alvarez also said Franks wasn't a sports fan, and "his politics were more French than American."






The toaster's annual appearance has become a pilgrimage for Poe fans, some of whom travel hundreds of miles. About three dozen stood huddled in blankets during the overnight cold Tuesday, hoping to catch a glimpse. At 5:30 a.m., Jerome emerged from the church to announce that the toaster had not arrived.






As the longtime guardian of Poe's legacy in Baltimore and the occupant of a prime viewing spot, Jerome has often had to respond to skeptics who believe he knows the Poe toaster's true identity — or is the toaster himself.






"If I was doing it, that is fraud, pure and simple. I could lose my job," Jerome said.






Jerome said the only thing he has kept secret is a signal — a gesture the toaster has predictably made each year at the grave — that even now he is not willing to reveal.






As for why the visitor didn't show this year, "you've got so many possibilities," Jerome said. "The guy had the flu, accident, too many people."






Jerome said that perhaps the visitor considered last year's elaborate 200th anniversary celebration of Poe's birth an appropriate stopping point.






"People will be asking me, 'Why do you think he stopped?'" Jerome said. "Or did he stop? We don't know if he stopped. He just didn't come this year."

Monday, January 11, 2010

Political spycraft seen in Nixon papers


By CALVIN WOODWARD, Associated Press Writer Calvin Woodward, Associated Press Writer


WASHINGTON – In newly released papers from his presidency, Richard Nixon directs a purge of Kennedy-era modern art — "these little uglies" — orders hostile journalists to be frozen out and fusses over White House guest lists to make sure political opponents don't make it in.


As his lieutenants built an ambitious political espionage operation that tapped scribes as spies, Nixon is shown preoccupying himself with the finest details of dividing friend and foe.


The Nixon Library, run by the National Archives, released some 280,000 pages of records Monday from his years in office, many touching on the early days of political spycraft and manipulation that would culminate in a presidency destroyed by the Watergate scandal.



The latest collection sheds more light on the long-familiar determination of Nixon's men to find dirt on Democrats however they could. Memos attempt to track amorous movements of Sen. Ted Kennedy, the Massachusetts Democrat whom Nixon's operatives apparently feared the most. Journalists secretly hired by Nixon's men reported on infighting among Democratic presidential contenders.



In 1971, keeping tabs on Kennedy was a prominent feature of the growing political intelligence operation. Nixon ordered aides to recruit Secret Service agents to watch the senator and spill secrets, previous disclosures show.

After the Chappaquiddick scandal, when Kennedy drove off a bridge in an accident that drowned his female companion, Nixon hoped to derail the married senator's presidential hopes by catching him with more women. The new collection includes daily notes by Gordon Strachan, assistant to White House chief of staff H.R. Haldeman, touching on this effort.



"We need tail on EMK," he wrote from one meeting, referring to Kennedy by his initials. The idea: "get caught w(ith) compromising evidence. ... Bits and pieces now need hard evi(dence)." Several prominent women are named as being involved with the senator.


Not long after the June 1972 break-in at Democratic headquarters by burglars tied to Nixon's re-election committee, his people worried that Democrats would pull similar dirty tricks on them.


In a memo from that summer, Steven King, security chief for the Committee to Re-elect the President, reported on his sweep for eavesdropping equipment in the premises and advised Nixon's operatives how to avoid being bugged themselves.


"We realize that some of your Committee members probably have a particular fondness for such items as flowers in large flower pots and artificial birds," he wrote, but "such items nevertheless present a serious menace because they are so excellently suited to serve as hiding places for 'bugs.'



By today's Republican standards, Nixon was liberal on some aspects of domestic policy, including health care and the environment. But Nixon and his advisers were also sticklers for social conservative traditions.



When an aide wrote a memo suggesting a woman be found to fill a senior slot at the Labor Department, Charles W. Colson, Nixon's special counsel, quickly protested.



"No! No!" Colson scribbled by hand on the memo. "She couldn't possibly handle the 'hardhats' — get a good tough Political man — Please, please." (This was almost 40 years after Frances Perkins became the first female labor secretary, under Franklin Roosevelt.)



And Nixon despised the cultural influences of the Kennedys and their liberal circles.
In a Jan. 26, 1970, memo to Haldeman and secretary Rose Mary Woods, the president demanded that the administration "turn away from the policy of forcing our embassies abroad or those who receive assistance from the United States at home to move in the direction of off-beat art, music and literature."


He called the Lincoln Center in New York a "horrible monstrosity" that shows "how decadent the modern art and architecture have become," and declared modern art in embassies "incredibly atrocious."


"This is what the Kennedy-Shriver crowd believed in and they had every right to encourage this kind of stuff when they were in," he wrote. "But I have no intention whatever of continuing to encourage it now. If this forces a show-down and even some resignations it's all right with me."



More than Nixon's artistic sensibilities were at play here. He made the political calculation that "those who are on the modern art and music kick are 95 percent against us anyway."

He put aside his own tastes when he saw political advantage, however, as in a January 1970 memo about TV talk-show hosts.

"I would like to invite, even though I don't like most of these people, Johnny Carson, Merv Griffin and Mike Douglas," Nixon wrote. "This could payoff in great measure to us."


In a similar vein, Colson proposed the "seduction of Frank Sinatra," namely inviting the singer to have private time and drinks with Nixon. Colson described the entertainer as controlling a great number of celebrities and public figures, and as a conduit to "massive financial resources."


"These resources could conceivably come our way based on the successful establishment of a personal relationship between the President and Frank Sinatra," Colson wrote to Haldeman in October 1971.


Nixon historians have known for years about "Chapman's Friend," code name for a working journalist who doubled as a paid informant, reporting to the president's political operatives about campaigning Democrats.


Seymour K. Freidin was the first source, succeeded by Lucianne Goldberg. Years later she became known as the literary agent who encouraged Linda Tripp to tape conversations she had with Monica Lewinsky about the intern's relationship with President Bill Clinton.


Although Nixon and his aides were hungry for titillating gossip from the Democratic presidential campaign, it appears doubtful they found out much. A November 1971 White House memo on a Chapman's Friend report expresses the view that "all of this material is manufactured." Still, the payments and reports continued through the campaign.

Saturday, January 9, 2010

Elton John - Nikita (Promo Video)

Hello All:

Now for a reminder of the cold war -- an Elton John song. I hope that all of you have a great weekend this weekend!!

Friday, January 8, 2010

Interesting Historical Video Montage Here



Hello All:


I happen to enjoy historical stuff here, such as people like Marie Antoinette and her husband, King Louis XVII.  I have been to the palace in Versalles, France and that place make the Builtmore Estate in Asheville, North Carolina look like a small ass shack, because that palace in Versalles, France is huge, way huge.


Let me give you a ball park idea of size ratio here, folks in the way of photographing both homes here.  I can take a photo of the Builtmore Estate in Asheville, North Carolina and get pretty much the whole house in one whole shot.  The palace in Versalles, France too me two whole stinking shots just to get the whole honking building.  Now, we're talking about a huge ass house here, people, when we're talking about the palace in Versalles.


I would love to go back to the palace in Versalles, France one day and take my hubby, Tony with me, so he can see the palace in person for himself here, because me telling Tony about the palace and Tony seeing the place on his own is two totally different things here.  I really thought that the gardens were beautiful and the parts of the city of Versalles that I saw while I was there were amazingly beautiful.


Any way, folks  --  here is the video montage about "Non-scary Historical" videos that I want to share with you.  As of right now, I only have stuff about Marie Antoinette and King Louis XVI in the montage, but I am planning on adding more to the montage, maybe even after I post this blog!!








The Real Cleopatra






Hello All:

Welcome to my first offical blog on this blog chain!! As my first blog in this blog chain, I would share with you all a video about the ancient Egyptian queen, Cleopatra here. I hope that you all enjoy watching this video about Cleopatra here!!